Rashaad Newsome’s work blends several practices, including collage, sculpture, film, photography, music, computer programming, software engineering, community organizing, and performance, to create an altogether new field. Using the diasporic traditions of improvisation, he pulls from the world of advertising, the internet, Art History, Black and Queer culture to produce counter-hegemonic work that walks the tightrope between social practice, abstraction, and intersectionality. Collage acts as a conceptual and technical method to construct a new cultural framework of power that does not find the oppression of others necessary. Newsome’s work celebrates Black contributions to the art canon and creates innovative and inclusive forms of culture and media.