Révérence, a performance curated and directed by Richard Kennedy, featured performers Jonah Almost, Maxi Hawkeye Canion, Fernando Casablancas, Kyle Kidd, Reed Rushes, and Secondsight. The long-form, improvisational performance focused on the destruction of preconceived structures of power and presentation, a rejection of a singular center. Together, the collaborative group disrobed from formal suits, shifted through the sand, and oscillated from ocean to shore in a collective embrace of radical potentials.